Human face double ear color pottery pot

The Tibetan friend asked: In the afternoon of June 1, I suddenly received a phone call from Mr. Zhang and said that he recently met a big collector, Mr. Yang, and would love to meet with me. Mr. Yang was in his studio. I would be convenient. If you can, come and introduce us! Just as I was not far from Mr. Zhang’s studio, he walked on foot.

Holds the treasurer: Yang Zhi Collection Master: Pottery Age: 25 years Collection Name: Majiayao Machang Period Human Face Binaural Pottery Potter Collector's Testimonials: Collection is to provide a marginal person with a study, research, and improve the quality of life Opportunity. Once and for all, drowsiness and gloom, frustration and joy are the best magic to practice your will. You insist, hold on, and you become more mature, with more charm and glory. The real collection is actually a kind of repeated turbulence, familiarization, and livelihood, which will make you a glorious life in your generation.

Kam Po expert: Yang Zhensheng (cultural heritage collectors)

Experts' Comments: Majiayao Culture is the late Neolithic culture in the Upper reaches of the Yellow River. It was named after the site of the Majiayao and it has a history of 5,000 years. Majiayao culture includes three cultural types: Majiayao, Mid-levels, and Machang. Gansu is China's earliest origin, longest development period, widest distribution range, and highest artistic achievement. It is known as the hometown of painted pottery. The painted pottery that appeared in the first stage of culture in Qindao Dawei Bay before 7,800 years ago was one of the earliest painted pottery cultures in the world. It was found in the relics of Dadi Bay belonging to the Yangshao Culture. The most important cultural representation of this period was painted pottery. The representative artifact is a head-shaped (face) shaped pottery pot. This clay pot is 25 cm high and 17 cm in diameter. It is painted pottery and red pottery. Its overall shape is a pot-like shape. Its mouth is small and short-necked, its rounded abdomen rises high and its bottom is slightly inward, flat bottom, the mouth of the pot. Both sides of the neck have symmetrical ears and are jagged. The most valuable feature is that the face of the clay pot painted by the human face is painted with black lines to outline the eyes, mouth, nose, eyebrows, and hair. This is vivid. The overall painting line is simple, atmospheric, smooth, bizarre and ingenious, showing the advanced development of early painting art, showing the early aesthetic concept of art. The overall shape of the pot is simple and honest, and it is a rare representative of the matriarchal society painted pottery of Majiayao Machang. It is rare and rare.

Market reference price: 450,000 yuan***

Collection history: The collector Yang Zhi is an authentic literary person who is good at painting, loving friends, and hi tourism. He is also keen to collect ancient pottery artworks. He told the author that at first he liked to collect famous masterpieces of modern times. He also learned Chinese painting with several teachers in his spare time. In the past decade, he has become obsessed with early collections of various kinds of colored pottery. He said that he took the author into his treasure room and drove several rows of shelf shelves filled with various pottery artworks of different shapes and styles. Among them, a man-made pottery pot attracts the author's attention and acquires the approval of the collectors. The author has played with it carefully, which is an upsurge of emotion and excitement. Talking about the origin of this artifact, Yang Zhi's face was filled with a happy smile. He said that this has to be said from a Gansu visit to Cuba 12 years ago.

Yang Zhi said that he was influenced by the family environment and he had a kind of preference and respect for all kinds of ancient art. Long ago, he wanted to perform a sincere homage and visit to Gansu, which is known as the hometown of painted pottery. One day 12 years ago, accompanied by a friend, he embarked on this long-awaited land of warmth. A few days later, he visited some of the big attractions that he had always dreamed of. He felt that he was still unsatisfied. After an acquaintance, he was introduced to him and visited a big collector named Zhang. When the two saw each other for a long time, it was just a few. Hours later, Mr. Zhang, who had always been arrogant to the treasures, showed an exception to Yang Zhi's all his precious play. Yang Zhi said that in Zhang’s numerous collections, he took a fancy to this man-made pottery pot, and in his heart he silently concluded that this artifact was in the period of the Majiayao Machang, and that's right! His admiration is remarked. Before leaving, he gave his beloved jade card on his neck as a meeting privilege to deliver to this well-known Mr. Zhang. Unexpectedly, Mr. Zhang repeatedly refused to declare his refusal - claiming that his success was not due to Lu, which made him very embarrassed.

In the end, Yang Zhi said that he repeatedly considered whether he would show his admiration for this artifact to Mr. Zhang. He asked if the transfer can be done. The price is good. However, Mr. Zhang still refused, saying that this is his favorite, saying nothing to sell it. In desperation, Yang Zhi said that for this reason he had six visits to Lanzhou, Gansu. In the sixth conversation, he heard from a well-known population that Mr. Zhang was very much in favor of Bai Shi’s paintings. Therefore, he voted for it and told Mr. Zhang that he had a collection of eight Qi Baishi paintings. If Mr. likes it, they can replace each other. When Mr. Zhang listened to Yang Zhi’s collection of Qi Baishi's paintings, he immediately came to the spirit and asked the paintings to bring them? Yang Zhili took out the paintings. Mr. Zhang saw his eyes straight. In this way, the two men each took what they needed and rounded their dreams. Yang Zhi told him that when he went out to tell Mr. Zhang, this painting of Qi Lao, if Mr. Zhang had enough to play some day, would like to get his hands, it is best to think about him first, how much he would like to! Because Yang Zhixin understands that the true collection is actually repeated twirling, familiarization, and livelihood, in order to truly reflect the artistic value and cultural content of a collection.